Current Progress: #amwriting #amediting

Things have been going as per usual in my writerly life this week–a little progress, a little frustration. Editing Inductance has been my main focus. As I noted last week, the first ten chapters were a little rough around the edges, but now that I am in the thick of things, it is all sounding very good. Shockingly, I do better with a lot of action and tight suspenseful scenes, even though these are the hardest for me to write! Ironically, I enjoy the characters’ relationships with each other and especially the romance aspect of the story, but these sectors are where I see the most need for editing. I suppose this problem arises from the simple fact that–in all actuality–human emotions and relationships are more complex than an action-y, main characters being chased and escaping from danger type of scene. Thus, as opposed to the tight, driving action of the prose, when I am writing emotional scenes or internal dilemma, those sentences tend to get longer and more complex, and need more editorial attention.

On the whole, however, editing has been a very painless process. In fact, it has bolstered my self-confidence! As I am editing along and find myself not wanting to stop because I want to stay immersed in the story, I feel a great sense of pride–I even have myself (the author) hooked on the story! Pride and a sense of accomplishment are great sensations to feel in the author’s cruel world of agent denials and constant self-doubt. The only thing about Inductance which gives me trepidation is the word count–78,000 words is a little slim, compared to Capacitance which stood at 89,000 words. I feel great about the way the story arcs and finds its own sort of resolution and set up for the next novel, but the word count still makes me a little nervous. Perhaps I need to explore the idea of inserting another storyline somewhere in the novel. I have some ideas–for instance one my secondary characters from the first book has not shown her face in the second book. Characters have talked about her, but she is not present. I can’t decide if that’s something I should take up and insert to create a higher word count. However, I had in the back of my mind thought about bringing her back in a certain way in the third book which I think would be very effective. Hopefully, once I get through the initial edit and have the full sense of a straight read through the story I might have a better idea of what to insert.

The final note of progress (which is also a note of frustration) which I have to report this week is that I officially started Resistance! While I had composed the first sentence already, this week I went ahead, swallowed my procrastination and wrote the first chapter. And I absolutely love the way it came out! Now I need to continue this sense of trust in myself and go on to the next chapter. Procrastination still rules as yet, however. For my series, it is more like having to write two first chapters since I have two main characters; each of their individual situations must be initially presented to the reader and that makes things a little more challenging. A jumping off point for the entire novel is always a very delicate and difficult thing to construct. I finally have a free weekend ahead of me though, so I intend to make use of it in true writer’s fashion and get some more words on that page! I hope everyone has a very lovely weekend and I will post Chapter 7 of Capacitance on Monday! 🙂

From #AmWriting to #AmEditing : The In-Between Manuscript Process

It’s been a little over a week since I finished up Inductance, but it seems like much longer! So much has happened since then, with my travels to Austin getting into the editing process. Being in between books is a strange and rather uncomfortable place for me now–I am used to always writing and filling parts of my day with putting words on the page. However, I think it is very important for me to take a little breath before I start writing the final book in the trilogy, Resistance.

The first reason for this is, I would like to have a bit more of an idea where the story is going and how it will get there. Right now, I have the first chapter planned out and maybe (maybe) ideas for the second chapter. Ultimately, I know where the story is going to end. However I am not sure how that will come about. As I work through the editing process, I hope to find inspiration for the final installation of my trilogy and have a better grasp of where it is all going. As a pantser writer, though, I don’t need too much direction before I begin!

Already, I feel the compulsion to begin Resistance. I think this is how one knows that the writer’s block and the insecurity and questioning whether you are really good enough to do this has passed. I am now a writer, it is part of my life and essential to my being. When I don’t write (as I haven’t this week) I feel the day lagging by as if some element is missing. So, it won’t be long, I’m sure before I am diving into the writing of my third manuscript. In fact, I already have the first line ready to go. Since it contains no spoilers, here it is: “The house was a beautiful glass prison.” With any luck, you are now asking, “Whose house?” “Why would a home be a prison?” and maybe you’re even intrigued by the conflicting imagery of an institution of confinement (a prison) made out of fragile glass. I’ve not had much luck with first pages before, but I think for once I am more than happy with this opening line. Hopefully the rest of the page, the rest of the chapter, the rest of the novel itself flows out with such confidence.

Until I let that stream of words flow, I am engaged in navigating the rocky waters of the editing process. The first ten chapters of Inductance were ROUGH. My goodness. I couldn’t even get into line by line editing them for content on the page. So much needs to be changed and refined. Refinement is the main issue here–at first I was just writing to write, to get into the characters and the narrative voice of another book. While it is kind of frustrating to look back and see so much work that needs to be done, I know that the reward will be worth it. I know the problems that the MS has presented and now I need to really get in touch with my characters and go back and give them the refined depth they deserve. All the concepts are right there on the page–they are just a little messier than I would prefer! However, I am happy to say that after Chapter 10, I have found everything much more pleasing. It is so crazy that even after having written one full book, it still took me some time with the second to get back into my true narrative voice. This is one reason I won’t be waiting too long to start Resistance; I need to keep the narrative voice fresh.

I hope all my readers in the U.S. have a fun and safe holiday weekend! I will be posting a fresh chapter of Capacitance on Monday! 🙂

Inspiration from the Master: How J.K. Rowling Has Influenced Me as an Author

I always joke about “my unpopular opinions,” but today I am going to talk about one of my very popular opinions. It is virtually a universal fact that those of my generation love Harry Potter and admire the woman behind the series, J.K. Rowling. I nearly titled this blog post how Rowling AND the Harry Potter series have influenced me as a writer, but, wanting to keep this blog post to a readable length for those of you perusing over your lunch break, I decided to stick with Rowling herself as there are several admirable traits of her talent that I admire and have taken inspiration from.

First and foremost–accessibility. Rowling’s HP series starts off with Harry as a young boy; I was the same age as Harry when I first read The Sorcerer’s Stone, and as such I could relate to him innately. However, my Mom read the books after I finished them, and she felt drawn into the story just as strongly as I did. This kind of broad readership was achieved through a masterful use of characterization and a wonderful assortment of word choice. It was the outstanding craft of the writing, I believe, which allowed these books to be enjoyed by grade school children and their parents alike. The word choice challenged children and allowed adults to appreciate the elevated nature of the works themselves. I remember reading The Order of the Phoenix and seeing the word “detritus” for the first time–context clues made it obvious that the word referred to the garbage littering Harry’s room, but Rowling’s choice to incorporate such a high level word speaks to her skill to create a breadth of audience.

Versatility is also a very important quality Rowling’s work possessed. As I read the books, I literally grew up with Harry, Ron and Hermione through Rowling’s masterful development of these characters from children into young adults–almost verging new adult territory by The Deathly Hallows. To this day, I am still impressed with how she carried this out. A subtle change, book-by-book, a darkening of tone, a deepening of connections. Order of the Phoenix was where this really stood out to me; the world around Harry and his friends had changed so much, but so  had Harry himself–he was starting to grow up. To me, opening up a Harry Potter book was somewhat like coming back to the first day of school after summer break and seeing the subtle changes and maturation in your fellow classmates. Her versatility as an author is not only displayed in HP; I read The Casual Vacancy earlier this year and my awe of Rowling as an author was sealed in its veracity for good. The book was incredible–totally adult, full of engrossing characters, and completely different from HP. This, for me, was what made me love The Casual Vacancy for what it was; Rowling had proved herself capable of going beyond HP as an author, and creating a work with just as much merit. No one else but a true master of words could construct a story surrounding so many main characters and have the reader be deeply invested in them all. The themes of The Casual Vacancy are dark, they are modern, and they are real, thus proving Rowling can pull her own in the realm of contemporary adult fiction as well as YA fantasy.

Finally, one of my favorite ways that J.K. Rowling inspires me–her humor. Throughout the Harry Potter series, I adored Rowling’s interspersion of humorous elements to the text. Particularly her tendency to insert a particular adjective to a sentence to make it hilarious. One of my favorite lines is “Harry then did something that was both very brave and very stupid…” from the scene in the bathroom with Hermione and the troll. The insertion of the word stupid injects the text with dry humor, which is incredible. This adds to the lighthearted tone the HP series can take on at times; it’s an element that makes the books enjoyable and lovable, and adding touches of humor (especially, dry ironic little adjectives) is something I incorporate into my writing style.

I could keep writing for quite sometime about Rowling as an inspirational author, but I need to get back to the query gauntlet. I will continue to post about authors/books that inspire me on Wednesday as I saw such a great reaction last week. I hope everyone enjoyed this week’s post!

On Staying Positive

Last Friday, going into the weekend, I posted on my Facebook page that I was 43,000 words into Inductance, with plans to write throughout the weekend and make a big push. Naturally, after making this bold statement, I was hit with writer’s block, the story was moving slowly, etc. However, looking at my word count one week later, I am sitting at 51,000 words. 8,000 words in one week is really much better than I felt like I was doing!

What this means to me is that I need to relax and trust the process and not be so critical on myself. Doubts are the fodder of procrastination and fear. Yes, my word count for the week could have been higher, but considering the fact that I also more than doubled the number on my sent queries list AND accomplished 8,000 words, I should be feeling pretty good.

So I am feeling very good on this Friday, and I am looking at another weekend of no plans–which means I can accomplish even more on Inductance this weekend! Yesterday was a huge accomplishment as I finally  hammered out a scene that I was feeling incredibly insecure about; it probably still does not have enough details and more will probably have to be added later, but I did establish some very good relationship-building dialogue between two of my characters that I think was a very important step for believability.

Well, it’s a short post today, but I hope it leaves you all with a positive message! Whether you are a writer or not, staying positive can be an incredible force in your day to day life. When you get down on yourself, that makes it harder to perform to your highest standards. I am striving to look to positive everyday and I know it will lead me to great things both with my writing career and beyond. I will be posting Chapter 3 on Monday! 🙂 Have a great weekend!

Summer Slump

Summer is my favorite season of the year; I love the warm nights glittering with stars above and fireflies below and the promise of adventure. However, I will admit, it is not the best time of the year for me as a writer. With the coming of June and the onset of summer I have been much busier than winter and spring. When the weather is sunny and beautiful outside, the outdoors beckons. Between impulsive mini vacations and working in my garden, writing has taken a backseat on days when a less seductive season might not have tempted me away from the computer.

However, I can’t fully blame the weather. I will admit, I have been slumping in my writing for other reasons as well. My confidence has been a bit down lately as I am writing really tight, intense action/world building type of scenes almost every chapter. The decisions made in these scenes will ultimately effect the rest of the novel/trilogy. Thus, I am over-analyzing them to death.

This is one deleterious effect of being a “pantser” style author–since you don’t have a definite plan down to the last detail, sometimes you get held up because you come up to something big you haven’t worked out yet. This is definitely what is happening to me. I know all of the characters’ ultimate “big” moves they are working towards right now. However, in the mean time, they need to make decently big, exciting moves to get there. I can’t jump to the conclusion (even though I have the ending of INDUCTANCE planned out and it will be the perfect exciting finish and set up to the final installment).

My challenge now is to think about the present–in the sense of my book–I have been caught up in doubts about the quality of the story right now, but I need to put those aside and trust in my skill as a storyteller. Words to the page is the main thing, and getting words to the page means being confident in yourself. I need to get over this summer slump, trust myself and write. I can feel myself getting more confident already… 🙂

Chapter 2 Thoughts

As I’m sure many of you have already heard, I really enjoyed writing Chapter 2 of Capacitance. For me, it was where the story really started to flow and I really started to get excited about the action of the story. My first draft of Chapter 2, just like Chapter 1, was drafted on a yellow legal pad one night lying in bed. It was after this night that I knew I was going to have to switch to a computer because my hands wouldn’t be able to accommodate the large amount of writing that was going to take place–I knew from writing this chapter that this was a story I was finally going to tell.

While I had always known that Mara and Runey were going to be part of the story, it wasn’t until much later during my three year stint of writer’s block that I conceived of Juleia. First, I knew that she would be involved with Runey in some way to complicate the romantic plot line. I thought that maybe she would be someone from his art class on the Design campus that he would run into and get involved with after already knowing Mara. Finally–and not too long before I scrawled out the chapter–I decided on the current way their relationship is set up. Thus the character of Runey is complex from the beginning; the reader sees him going through this awful situation where he has to break up with his girlfriend on the spot, yet they also see his intense dedication to the Restorationists. By setting up my male lead in this way, it creates a more multidimensional character; without the complication of Juleia, Runey is just a young man who is assigned to get closer to a young woman. Interesting, yes, but not quite as dramatic!

The setting and the action in this scene was entertaining as well. I loved creating that dark, mysterious atmosphere. Many readers have commented on the description of my scenes and how they feel as if they are in the Seminar Hall, or the Underground, etc. This is excellent feedback! I sometimes worry that I include too much description. For me, there is no such thing, but for some readers it can get a bit tedious. However, I am glad that most seem to be enjoying it thus far. Another aspect of description I enjoyed creating in this chapter was the action between the characters. Juleia’s hair curtaining her face, the subtle hand gestures and reactions of the Professor, etc. I think this is one of the main reasons I enjoyed this chapter so much–all these little actions that speak so loudly. The first chapter was a lot of introspection and little action (by default, since Mara was sitting in class). Chapter 2 hopefully draws readers in with the promise of more action to come.

With that being said, some criticism I have received for Chapter 2 is that it does jump in too fast. I heard this from an agent who looked over my first three chapters. I thought that was an interesting critique as readers/agents usually want to be drawn into the action immediately. If anyone else felt this way while they were reading, please let me know! Personally (and I am obviously biased) I consider this chapter to whirl the reader deeper into the world of Capacitance. Yes, it may be a little disorienting at first, but that is natural for the reader–plus, it adds to the sensation I was trying to develop with the chapter. Runey and Juleia themselves are both a little confused and disoriented as they descend to their meeting with the Professor. By tossing the reader into the situation as well, it puts their mind in the same place as the characters they are reading about.

Once again, thanks to everyone who has been checking out my chapters! I will probably post Chapter 3 on Monday. I am not sure how many chapters I will post overall–I can’t post the whole book, sorry! 😦 –but how many I post depends on how much support and following they are getting, so if you like what you’ve been reading, tell a friend or two! 🙂

Capacitance: Chapter 2

Happy Monday! I’m so excited to post Chapter 2; it was one of my favorite chapters to write. Having two main characters is fun because it allows me to write–and readers to experience–the same world from two different perspectives. I will post more musings on Chapter 2 tomorrow, but for now, I hope you all enjoy!

Chapter 2

 

At the same moment, elsewhere on campus, two figures descended a narrow, winding flight of metal stairs. The stairwell was dimly lit and the irregularly placed lights cast shadows on the two figures; one was male—very tall and angular in build—the other was female and was much shorter but just as slender. In between, their hands were clasped in one another’s. The girl’s voice was nearly swallowed up by the close stairwell walls around her as she whispered, “But are you sure they didn’t say—“

”No, Jules, I told you already. All the Professor said was to meet him in the conference room tonight, and to bring you. That’s it. That’s all I know,” the man interrupted his companion’s query in a steady tone. The girl then remained silent as the two continued down the numerous flights of stairs. They were heading deep underground, even deeper than the Science students’ labs, and the air began to take on a distinct chill. Finally, the pair reached a primitive passageway of rough hewn stone which was marked by rows of blue floor lights on each side. Following these lights, they stopped in front of a gray metal door. The man placed his palm on the door and instantly the floor lights at their feet turned green as the door slid open with a soft whoosh. Once the two stepped over the threshold, the gray door immediately slid shut and they were enclosed in a cement floored hallway with gray walls and floodlights every few feet providing ample lighting to read the numbered metal doors which marched down either side of the hall. However, the couple walked forward past all the doors, hands still entwined, until they reached the end of the hallway where a pair of nondescript double doors faced them.

“Should I knock?” the tall man asked the girl, and the floodlights showed a warm, joking smile on his face.

“Like you said, they will be expecting us,” the girl returned, giving him a familiarly playful nudge as she moved forward to open the doors. The room they entered—the Conference Room—was in stark contrast to the well-lit corridor; with the exception of a lone lamp on the long metal table, and the dim blue-black glow of a large computer projection screen on the wall, the room was thick with darkness,.

“Runey, Juleia, sit down,” a disembodied voice from the darkness instructed them as they moved towards the table. For the first time, the two broke hands as they pulled out metal folding chairs. As they sat down to the table, the speaker in the room came into view by the light of the one lamp. He was a man of about 60 years old with tanned skin, salt and pepper hair and a scruffy goatee; he wore round rimless glasses and a tweed suit complete with leather elbow patches.

The young man, Runey, broke into a smile and reached across the table to shake his hand, “How are ya, Prof?”

“I am well. Quite well, thank you, Runey. And I think you will be pleased also once you hear this truly exciting assignment I have for you,” the Professor said as he watched the pair’s reaction across the table. Runey, at first glance, seemed utterly at ease—the cheerful greeting, the casual running of his hand through his short shag of auburn hair—but upon closer inspection he was clearly the picture of professionalism—his upright posture and the alertness in his eyes cued into a keen sense of curiosity and energy. He also seemed to put the girl beside him, Juleia, at ease; her deep brown eyes had cleared considerably since the two sat down at the table and now the mischievous confidence the Professor knew in her was starting to show again through the playful turn of her lips as she watched the two men greet each other. “I suppose you are wondering why I have brought you all the way down here tonight. It is, after all, not a scheduled meeting night,” the Professor began. Runey and Juleia nodded back, but said nothing, urging him to continue his explication.

“At the risk of being repetitive, you two know that you belong to a group that is unlike any other in this University—indeed this nation! At this institution of learning and throughout the country and the world, you are constantly told that things are the way they should be; that life as we know it is utopia in all but name. When one hears that they are living in perfection, they become numb to curiosity, dull to different thoughts. As you well know, the purpose of our organization is to question ‘perfection,’ and this has led us to look to the past. Our world has been flawed for quite some time, but we believe that change comes not only through new ideas, but from past examples! That is, as you know, why we are called Restorationists—just as a museum curator restores a great masterpiece, we wish to restore this nation to its former equality and greatness. I do apologize…I digress. I am waxing poetic due to this extremely promising mission my colleagues and I have planned for you, Runey. If this mission succeeds, it could be the turning point for us,” the Professor finished earnestly. The three sat in silence for a moment, Runey and Juleia looking back at the Professor expectantly as his dark eyes quietly surveyed the pair in return, his hands steepled under his chin.

Finally, he continued, “It is all catalyzed by the University initiative for students from all the colleges to come together. My colleagues and I in the Association of Professors have been pushing for a project such as this for years. We pushed for it so hard and argued so persuasively, that when the University Board of Directors finally approved it, they had forgotten it wasn’t their idea in the first place. We wanted an opportunity to mix and infiltrate into the Science students. Science is where the big government machinations really happen—not in Politics—without Science, the government wouldn’t have the heavy weight on their side as they do now. Anyway, the infiltration will begin tomorrow, several hundred feet above where we sit right now, on the Campus Green.”

“You make this sound like such an important deal, but the thing is, we can go up the hill to Science and talk to them any time we want—it’s not like a restricted sector or anything. What is so important about this meeting tomorrow?” Juleia suddenly asked.

“Because, Juleia, this makes the mixing officially sanctioned. You know the government watches everything that goes in and out of SciSky and the Science compound—as well as most everything that goes on within. With the University-wide community project, sanctioned by the Board of Directors, we are essentially free to infiltrate Science with the permission of the government!” the Professor answered and leaned back in his chair contentedly.

“What specific role do we play in this? Why did you call us down here?” Runey asked, his deep blue eyes narrowing with interest. Juleia nodded in agreement with his question.

A look of trepidation flickered briefly across the Professor’s face as he straightened in his chair and said, “Well, let’s get into the heart of the matter then, shall we…” He powered on a slender silver computer tablet on the table, and the projection screen on the wall lit up. At first the screen was a stock image of the Restorationist’s symbol, but then that faded away as the Professor tapped on the tablet screen and was replaced with a photo. It was a University ID badge photo; each student in the University had an ID badge which they used to gain access to areas of their college which were restricted to others, their dormitories, or to scan their attendance at class or other mandatory events. This ID photo displayed a young woman with long, shiny black hair framing a beautiful face whose fine features and high cheekbones created a perfect setting for unusually striking pale green eyes. Runey and Juleia studied the picture interestedly, but the confusion still had not cleared from their faces.

Once the photo was loaded, the Professor continued speaking, “This is Mara. First year Science student. Top of her class. Identification number 8946320. She is, my sources and colleagues confirm, working on a project which is highly government sensitive. She is the key to our infiltration being successful. Bring her alone over to the Restorationists and you’ve as good as brought over all the knowledge of Science, and potentially brought the government to its knees!”

“Yes, but how are Runey and I supposed to do that?” Juleia piped up once again as Runey sat quietly in thought, studying the picture of Mara.

The Professor sighed almost inaudibly, his former excitement deflated instantly at Juleia’s question, “Juleia, I know that you and Runey were a couple long before you joined the organization; however, you knew upon joining that there would be sacrifices to be made for the advancement of our cause,” the Professor said gently, and Juleia crossed her arms in front of her as if bracing for what he would say next. “My colleagues in the Science department have monitored Mara extensively; as surely as they are convinced she is our key to success, they are equally sure that she will not be won over easily. From what they tell me, the girl is a hard worker to the point of mania—nothing gets her out of her lab, her work is her life. Thus, we have come to the conclusion that she can’t be reached through blunt means. This will require a sweeping and deep effort to win her over truly and fully to our side.”

At this point Juleia sighed loudly at the long-winded and hazy explanation; Runey took her hand reassuringly and said, “Get to the point, Prof.”

The Professor shook his head, “As hard as it is for me to say it, the point is that my colleagues and I have come to the conclusion that our best chance to get Mara on our side is to make her fall in love with a young man in our organization, and, Runey, you were the one we decided on. I know this is an immense sacrifice for you and Juleia, but it will also yield great rewards if successful—you, Runey, are the most deserving of our young members for these honors, this coupled with our faith in you are the reasons we chose you for this assignment.” The Professor’s final words fell heavily on the dense silence in the room.

Suddenly the silence was interrupted by the metal shriek and clang as Juleia violently got up, overturning her folding chair to the ground, “I can’t believe this! Runey and I have been together for FOUR YEARS! You can’t just take him away over some stupid little girl from Science—you need to find someone else! Find someone else! Find someone else!” Juleia screamed, her brown eyes blazing with hot fury and tears as she rounded on the Professor.

“It’s already been decided, Juleia,” the Professor said solemnly, still seated at the table.

“Find…someone…else,” Juleia hissed menacingly, leaning across the table towards the Professor. At that, Runey stepped up and put a hand on her shoulder, drawing her back to their side of the table. At his touch, Juleia started shaking and collapsed back into another folding chair, head bowed, her waist length chestnut hair falling forward making a curtain around her face as the tears fell. Runey drug his chair over closer to Juleia who looked up at him with eyes whose fury had been quenched by pooling tears as she whispered, “Rune, you’re not really going to do this, are you? It’s just you and me, remember?”

Runey grabbed both her hands tight between his and hung his head so their foreheads were nearly touching, “Jules, baby, I have to…” he whispered sadly but firmly. He held her close silently for a few precious seconds which weighed on him like small eternities, then straightened up and looked at the Professor, “How does this begin?”

“Right…” the Professor smoothed the front of his coat and fixed his gaze on Runey, “First, you must say goodbye to Juleia. She will still be one of your student colleagues in the school of Design, but in order for your mission to succeed, you must truly end your relationship with her for the moment,” the Professor pressed some buttons on his tablet, and the conference room door opened, allowing a shaft of light into the darkness. A young man appeared in the doorway. “Thomas will take you back to your dormitory, Juleia, and I will fully brief Runey after your departure,” the Professor said as the young man in the doorway moved across the room to Juleia’s side.

Slowly, Juleia stood up from her chair. First, she turned to Runey, “Runey, I understand why you are doing this, but I will never understand how you could do this to us. I love you, I will always love you—please don’t forget the love I know you have for me.” The young man, Thomas, put a hand on her arm to move her towards the door, but she shook it off and turned towards the Professor with an expression that was a pure marriage of malice and pain, “And you…I will never forgive you for this.”

With that, Thomas led Juleia out of the room, and as the door closed behind them, the Professor—apparently unruffled—turned back to face Runey, “Now, as you well know, the meeting is tomorrow on the Campus Green. My colleagues and I have arranged that you and Mara will be in the same group—“

“They’re putting us in groups?” Runey interjected.

“Oh yes, I forgot to tell you completely. They are starting the ‘experiment’ out by forming groups of four; one student from each of the colleges in each group. I think they will have you all work on a project together over the course of the year, but that doesn’t matter. What really matters is your developing relationship with Mara; because tomorrow is when it needs to start developing. I know I can count on you, Runey. You’ve shown great dedication to our program, and not just tonight. So tomorrow, your challenge begins!” The Professor finished exultantly.

“Prof, aren’t there anymore steps or points you need to brief me on before tomorrow? Am I just supposed to go into the thing blind?” Runey asked, “Honestly, I’ve been blindsided by this whole night, and now tomorrow I’m just supposed to go fall in love with some girl?” Runey laughed half-heartedly and crossed his muscular arms.

The Professor smiled, “There is no instruction manual to love, nor was love gained in one day. Tomorrow is a beginning, and while we will be checking in together frequently, this is an act you are going to play unscripted. I can offer this advice, however, get to know her work; it’s helpful to us, and from the sounds of it, could be the wellspring of her passion.”

“Got it. Mind if I go now? Been rather a long night with you down here,” Runey said, struggling to maintain an amiable, light tone, but the Professor could see the emotional strain starting to wear at the young man, and his frequent glances toward the door were a very telling sign that he would be instantly on his way to find Juleia if released now.

“Just a moment, Runey. Enough talking shop, let’s you and I have a drink—I think we both need one,” the Professor said, producing two glasses and a decanter out of the shadows.

“I think you are right,” Runey said, accepting his full glass and raising it, “Cheers, Prof,” he said with a tight smile.

“To tomorrow morning—the beginning of their end,” the Professor toasted, and the two drank deeply, the amber liquid in their glasses illuminated by the projection screen where Mara’s ID badge shot was still displayed above them.


 

Rewrites

Today’s topic is rewrites–for several reasons. First reason being, I just rewrote the first chapter of my novel Capacitance in anticipation of posting it on here soon. It was not easy for me to rewrite a chapter. As a writer (and I am sure many of you can relate to this) it is very hard to chop out, delete or otherwise maim sentences and paragraphs we have so carefully constructed. There is some truth to this hesitant attitude–some words you put down are important, and you don’t want to lose the essential, natural quality of your writing voice. However, the first draft is, by design not tight and polished. It is done to get the story out of the mind and onto the paper. Naturally, there will be some polishing left to do. Thus, stay true to your story and voice, but learn what doesn’t fit or needs omitted. Work with the white space–give your readers some credit and don’t get too wordy. This was one of my struggles in rewriting. My first chapter contained a lot of description (specifically of where my MC’s beautifully decorated apartment); to me, this was fascinating because I am interested in the intricacies of interior design. Will all readers be captivated by an inventory of interior finishes? Probably not. That section–after coaxing from an unofficial CP partner–was cut. Hopefully I can weave some of the description back in through various sections of the novel. Small doses are better for building than numbing readers minds with a long chunk of exposition.

The second reason I want to discuss rewrites today concerns a comment on my blog post yesterday concerning the need to perfect everything before putting it to paper. I am not promoting the method of writing without care or detailed attention, but there comes a point where you have to throw caution to the wind. Do your best, but assume you are going to have to go back and edit regardless. My first chapter rewrite is a great example–I scrawled that first draft copy of it with a flow of words that spewed forth after three years of writer’s block, and I considered it to be a great entry into my book after many lackluster attempts. Looking back at that Chapter 1 now, I find it slow and not effective as well as not being in the voice of the rest of my novel. I was not in my element. However, had I analyzed it so harshly at the time of writing, I may not have put it to paper, and I may have still been stuck with writer’s block interminably. Long story short: write your best right now, perfect it later.

I am SO CLOSE to 100 likes on my Facebook page! It won’t be long now until I can show you all the (rewritten) first chapter of Capacitance!

Getting Words to the Page–Insight Into My Writing Process

It has been awhile since I have done a post about the writing process itself. The #QueryKombat Twitter party prompt for today has inspired me to go into more depth in this post about my writing process–where my ideas come from, the struggle of getting them to paper, and little glimpses into my process as a whole.

If you have read my blog at all, you know I write without a super detailed outline. So my ideas are free flowing. Usually, I don’t have a specific trajectory for the scene I am writing, or what the next scene will be. I have certain parameters which I like to structure for each individual chapter. I like to visualize each chapter when I sit down to write as the skeleton frame of an unfinished house–I know the basics of what this chapter will accomplish, but details get fleshed out as I go. While I am writing the chapter, that is when “the house,” to continue that analogy, gets walls and floors, etc.

Having the skeleton framework ready in my mind before I start a chapter is extremely important. If I don’t know a general concept of what I will be writing that day, I just won’t write. The blank page gets too intimidating when I have no clue whatsoever what to put down onto it. This has happened quite a bit during the drafting of Inductance, and also towards the end of Capacitance–these mini episodes of writer’s block pop up and steal a day of writing from me at times. However, I have a couple ways I combat this problem. The first, and most effective, is to go on a long run; the physical and mental benefits of distance running are enormous. As I coast down the hills and under the dappled shadows cast by trees, my mind wanders and my characters seem to speak to me. Entering a state of intense focus, I usually come away from a run with my mind centered and ready to write–I know the framework for what needs to come next. The second trick I use to spark my mind back into the story is to pull out my hard copy of the manuscript and read and edit it lightly. This re-familiarizes me with the characters and their stakes and usually prompts me to what needs to come next. Another tip: when I have several chapter ideas that I know I want to eventually construct, I write them all down in a list. Thus, I have many productive days crafting the chapters off the list!

The #QueryKombat prompt specifically asked writers if they prefer to write during the night or day. As I tweeted, I prefer to write in the early evening, in the hours leading up to supper. However, this is by no means a dominating preference as I can write at any time of day, as long as inspiration and time allow. All times of the day have their benefits–to me, the main point is just to get the words on the page. Don’t slot yourself into “only being able to write in the mornings” or, “I never write before 10 PM”–write whenever you can, when the mood strikes you, when you find yourself scrolling absentmindedly through Facebook! Habits are good to make, but as writers, we need to be flexible and not use our habits as excuses to procrastinate.

Finally, music. Another prompt featured on today’s #QueryKombat question. I have always been strange about music; I can’t stand it while I am writing, reading or doing some other deeply concentrated type of work. Don’t get me wrong, I love music! However, it distracts my brain heavily. Music does influence my work in other ways, though. Different songs remind me of my characters. The song “Superstar” by Broods reminds me of Mara and Runey’s relationship in Capacitance. I prefer music to inspire me in my non-writing times!

This post could go on for days–there are so many different stories and struggles to share about my writing process. Share your writing habits below! 🙂 And don’t forget to like my Facebook page–there’s now a “like” button on the sidebar of my homepage! I am at 84 likes thus far; when I reach 100 I will be sharing the first chapter of Capacitance! Like, like, like!

Writers’ League of Texas Agents & Editors Conference 2015

I had so much fun attending the Henderson Writers’ Group Conference in Las Vegas, that I just registered for another conference next month! I will be attending the Writers’ League of Texas Agents & Editors Conference June 26-28 in Austin, Texas! Since I live in Kansas (and drive a fun little car) I am going to be road tripping down south–just me and the open road, mind clear, practicing my pitch. I can’t wait!

The pitch will be important as there are 19 literary agents from big name agencies such as Trident, Writers House, and Curtis Brown, to name a few! While pitch sessions with agents are paid add-ons to the conference fee and are limited to two agents (I won’t be table hopping my pitch to everyone like I did in Vegas, haha!), the number of agents at this conference makes it more likely that I will be able to approach them in a casual setting. This conference appears to include a lot of casual settings, like cocktail hours, that could be great opportunities to meet and network with the agents and editors. I am going for all three days of the conference rather than just one day like I did in Las Vegas, so I plan to take full advantage of the opportunities to meet new people.

Considering I already have one conference under my belt, here are some things I won’t be doing this time around.

1. Stressing about my outfit. The wardrobe choices I saw at the last conference were much more casual and varied than I expected. When it comes to conferences, stay true to your personal style and you’ll be fine–worry more about polishing your pitch.

2. Bringing my entire manuscript. This is absolutely unnecessary. I know I said otherwise last time, but my aching shoulder and the entire universe of common sense would argue otherwise–everything is done through email these days. What makes you think an agent is going to love your work so much that they would be just as eager and willing as you to lug around a 300 page boxed manuscript all day? Save your posture, leave it at home.

3. Attending only business related class sessions. In Las Vegas, I stuck to the business side of writing lectures. This led to immense boredom and repetition; I had read most of the advice on the Internet due to my extensive and slightly obsessive research on query writing, agents, etc. Of course, I still plan on attending some business aspect classes as I know I still have a lot to learn, but I want to experience some writing craft sessions as well this time around.

Leave me a comment below if you’re planning on attending the #WLT2015 ! Also, I don’t believe I have mentioned this on the blog just yet, but I will be posting the first chapter of Capacitance once my Facebook page hits 100 likes. If you want to speed this process up a bit 😉 please like my page at https://www.facebook.com/emhardenburger ! Can’t wait to start sharing my work with you all!