Conference Contemplations

This past weekend was a big step in my career as a writer–I attended my first writers’ conference! It was the Henderson Writers’ Group conference in Las Vegas; the crowd was small (limited to 150 people), the classes offered were a mix of business and craft, and the faculty was interspersed with interesting individuals. It was a good first conference, in my now slightly more qualified opinion; since it was relatively small, it was not too overwhelming, yet it still offered the opportunity to make some influential connections with agents!

I will start with the pros of the conference. The first and foremost bonus is getting to pitch to agents. Yes, it’s scary, and intimidating–but do it! When I arrived at the conference I didn’t know that formal pitches were an option, but quickly found myself signed up to pitch to two agents and two small press editors. Did I panic slightly? Of course. But I simply reminded myself that I know my book and am confident in my book, and it went just fine. In fact, all of the agents and editors requested either partial or full manuscript after my pitch! I had a good experience, but that is not solely why I advise authors to take the plunge and pitch at conference–you should do it because chances are relatively limited for you to run into agents during breaks and such. Before I attended the conference, I had read the opposite advice which told me it’s better to try and casually run into agents and spark conversation. However, after having been to the conference, I have to say that is leaving a lot to chance. If there is a chance to get your name down for a (no matter how small) amount of time to talk to an agent or publisher about your book–do it!

The next pro for me was that I met a potentially great friend/colleague; we met at the breakfast section of the day, and ended up being in the same class sessions, so we got a lot of chances to get to know one another and talk about each others’ books. Now we plan to email regularly and exchange critiques and editing advice. This isn’t to say that I just met one person and stuck to only talking to them all day–I talked to a lot of different people, and that in itself was a pro. Meeting fellow writers is always interesting.

Now, the cons. First and foremost, I was already knowledgeable on most of the information presented in the classes. Most of this information is accessible on great websites such as AgentQuery and Writers Digest. Due to my extensive research on querying and agents after I finished my novel, I had stumbled across most of, if not all, the information presented in the class sessions (I stuck to mostly the business/querying type of presentations, so I can’t speak as much to the craft sessions). Thus, for me the conference was a learning event, but not in the sense of the structured classes.

The second con I will list is the inaccessibility of the agents that were present at the conference. The only time I saw an agent outside of the pitch session room was when they were teaching their classes. This made it difficult to interact with them (which was most likely by design, at least in the case of one particular agent!), so had I stuck to my original plan which was to organically strike up conversation, I would have been sorely disappointed. Like I said above, the pitch sessions saved my weekend from being disappointing!

Now that I have attended my first conference, I have been getting asked whether or not I will attend another one. The answer is “probably.” I think I will be more selective in the conferences that I attend; I want them to be a bit more high profile. Now that I know more about agencies and agents I may want to target, I can look out for conferences they may be attending. I will be looking to see what kind of pitch opportunities will be available. There are a couple high profile events that I will consider–namely, the New York Pitch Conference and the San Francisco Writers Conference. However, right now, I am switching gears and will be exclusively focusing on my first round of querying agents; I sent out my first materials requested email today to an agent who requested a synopsis and partial, so I am very excited about that (excited, but also fully prepared to wait for a response or simply never get one). Aside from querying, I will, of course be diving back into my work on Inductance; I think getting back in the flow of writing might be a little tricky after my mini-vacation, but I am excited to ebb back into the story!

A Different Perspective

My Dad read my first novel chapter by chapter as I was writing it. It was really great to hear his encouraging feedback such as, “Just keep it up!” or (my favorite) “Your book is pretty good, Elise!” My dad is a very intelligent man, but a literary critic he is not. However, looking back, I think this was the perfect kind of feedback for me–it doesn’t influence my story or my writing style. It was especially perfect for the flow I had going for my first book–I just needed to get all that writing out there, and Dad’s feedback was perfect for that as it kept me going. Waiting for Dad to finish up another book he was currently reading as I began to compose chapters of the second novel, I began to get anxious to see how it read for the first time for a fresh reader. Finally, today he started it! And I was pleased to see that his critique capability is getting better–we actually had a conversation about the nuances of one of my main characters and how she is reacting to the major plot conflict in the story. I fully value both kinds of input my dad has given me; it is so nice to talk about your writing with someone who truly cares and who will give you an honest opinion. And, while I intend to fully remain true to the way my characters speak to me in my own mind, I appreciate hearing the way a fresh reader perceives the text–because that is truly who the book is for, the readers, and having feedback from a fresh reader along my writing journey is a great asset.

AgentQuery.com: The Querying Author’s Bible

Exciting news today: I finally got my synopsis trimmed down to size! It’s lean enough, in fact, that I can go back and add a little more detail, which is music to my ears after the painful, stripped down process of creating my synopsis. My most helpful source in looking up how to format a synopsis was AgentQuery.com. This is a fantastic website, not only because it includes a searchable database of literary agents who are currently accepting queries, but also because of its section containing specific guidelines on how to format those queries you will send off. From email queries to snail mail queries, AgentQuery has all the specific guidelines needed to make your submission most successful. Seriously, every little detail is discussed. When I wanted to know how to format my novel title in my synopsis, I went to the section on formatting a synopsis and quickly found my answer. I also discovered that a synopsis can be up to three pages long–which was the best news I have heard lately as my synopsis was stuck one paragraph long of two pages. Now I know that is actually an acceptable length–hooray! While I am still new to the whole process, AgentQuery has by far been the most valuable resource I have found. I have already spent a lot of time perusing the agents and reading the submission and query guidelines–the amount of instructions and knowledge on the site can be overwhelming, but I like to see this as a wealth of knowledge there for my benefit. I am glad to have these myriad resources at my fingertips whilst treading the unknown waters of gaining a literary agent. I know I will be using this resource daily, and I suggest anyone working on their own query or synopsis to check it out as well!