writing style

First Chapter Musings + Some Exciting News!

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Happy Friday! Sorry I have been absent from the blog most of the week. Summer comes along with its slow heat compelling one to be outside and not in front of the computer screen. I hope everyone enjoyed the first chapter I posted on Monday! Today I wanted to share some thoughts about that chapter, and how this story got started.

I got the idea for Capacitance shortly after I graduated from college. I wanted to tell a story involving college age characters on a university setting. While I never in my wildest dreams would have imagined I would be writing sci-fi, that is the direction the story took. I wanted my university students to be different than those of today. Hence, Mara’s consternation over her research–what she is doing is terribly important not only to her academic career, but also to society as a whole. Some people (mostly adults who have been jaded by the hedonistic existence of their own college age children) aren’t able to grasp this concept of university level students acting so mature and professional; however, it is this exact sort of bending of the norm which I wanted to portray. Blending the familiar with the new is a tactic I use quite a lot in this series of books–I want readers to feel a connection to the characters and their experiences so that they find the dystopian future world of Capacitance eerily relatable.

One particular aspect of college that definitely influenced my first chapter is a hatred for group projects. Throughout my career at KSU, these group projects would loom up on the syllabus landscape, causing dread throughout the ranks of students. I never met a fellow student who enjoyed group projects, and it was always a struggle to get a group of college students–all with very different schedules and levels of motivation!–together at a convenient time to work productively. In my experience, a group project always meant a collective sigh of frustration; thus, Mara’s reaction (although hyperbolic, given her situation) is definitely one any college student can relate to.

Sharing my first chapter of Capacitance not just here on the blog, but with agents as well, has led me to some exciting news! Last night I received my first request for the full manuscript from an amazing literary agent from a very reputable firm! I sent her my query letter and the first chapter of Capacitance a little over a month ago, and got a request for material last night. It is thrilling in and of itself, but also helps me feel more confident. I had been finding myself in a slump due to the rejections that were piling up, so to have an agent ask for the full manuscript feels great–even if nothing comes of it, at least I know I am doing something right. The first chapter I sent to this agent which lead to her request was not exactly the same as the one I posted on Monday; as you may remember from a previous post, I rewrote the first chapter recently. While I am slightly shocked that an agent was still interested even after all the exposition my unrevised chapter contained, I am mollified that the first chapter wasn’t as horrible as I thought. Many agents take upwards of two months to get through and decide on a full manuscript, so it could be a long wait, but I will definitely keep you all posted on this exciting development! In the meantime, I am going to keep writing, keep querying, keep persisting! As a celebration of this exciting news, I will be posting Chapter 2 on Monday! 🙂

Rewrites

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Today’s topic is rewrites–for several reasons. First reason being, I just rewrote the first chapter of my novel Capacitance in anticipation of posting it on here soon. It was not easy for me to rewrite a chapter. As a writer (and I am sure many of you can relate to this) it is very hard to chop out, delete or otherwise maim sentences and paragraphs we have so carefully constructed. There is some truth to this hesitant attitude–some words you put down are important, and you don’t want to lose the essential, natural quality of your writing voice. However, the first draft is, by design not tight and polished. It is done to get the story out of the mind and onto the paper. Naturally, there will be some polishing left to do. Thus, stay true to your story and voice, but learn what doesn’t fit or needs omitted. Work with the white space–give your readers some credit and don’t get too wordy. This was one of my struggles in rewriting. My first chapter contained a lot of description (specifically of where my MC’s beautifully decorated apartment); to me, this was fascinating because I am interested in the intricacies of interior design. Will all readers be captivated by an inventory of interior finishes? Probably not. That section–after coaxing from an unofficial CP partner–was cut. Hopefully I can weave some of the description back in through various sections of the novel. Small doses are better for building than numbing readers minds with a long chunk of exposition.

The second reason I want to discuss rewrites today concerns a comment on my blog post yesterday concerning the need to perfect everything before putting it to paper. I am not promoting the method of writing without care or detailed attention, but there comes a point where you have to throw caution to the wind. Do your best, but assume you are going to have to go back and edit regardless. My first chapter rewrite is a great example–I scrawled that first draft copy of it with a flow of words that spewed forth after three years of writer’s block, and I considered it to be a great entry into my book after many lackluster attempts. Looking back at that Chapter 1 now, I find it slow and not effective as well as not being in the voice of the rest of my novel. I was not in my element. However, had I analyzed it so harshly at the time of writing, I may not have put it to paper, and I may have still been stuck with writer’s block interminably. Long story short: write your best right now, perfect it later.

I am SO CLOSE to 100 likes on my Facebook page! It won’t be long now until I can show you all the (rewritten) first chapter of Capacitance!

Getting Words to the Page–Insight Into My Writing Process

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It has been awhile since I have done a post about the writing process itself. The #QueryKombat Twitter party prompt for today has inspired me to go into more depth in this post about my writing process–where my ideas come from, the struggle of getting them to paper, and little glimpses into my process as a whole.

If you have read my blog at all, you know I write without a super detailed outline. So my ideas are free flowing. Usually, I don’t have a specific trajectory for the scene I am writing, or what the next scene will be. I have certain parameters which I like to structure for each individual chapter. I like to visualize each chapter when I sit down to write as the skeleton frame of an unfinished house–I know the basics of what this chapter will accomplish, but details get fleshed out as I go. While I am writing the chapter, that is when “the house,” to continue that analogy, gets walls and floors, etc.

Having the skeleton framework ready in my mind before I start a chapter is extremely important. If I don’t know a general concept of what I will be writing that day, I just won’t write. The blank page gets too intimidating when I have no clue whatsoever what to put down onto it. This has happened quite a bit during the drafting of Inductance, and also towards the end of Capacitance–these mini episodes of writer’s block pop up and steal a day of writing from me at times. However, I have a couple ways I combat this problem. The first, and most effective, is to go on a long run; the physical and mental benefits of distance running are enormous. As I coast down the hills and under the dappled shadows cast by trees, my mind wanders and my characters seem to speak to me. Entering a state of intense focus, I usually come away from a run with my mind centered and ready to write–I know the framework for what needs to come next. The second trick I use to spark my mind back into the story is to pull out my hard copy of the manuscript and read and edit it lightly. This re-familiarizes me with the characters and their stakes and usually prompts me to what needs to come next. Another tip: when I have several chapter ideas that I know I want to eventually construct, I write them all down in a list. Thus, I have many productive days crafting the chapters off the list!

The #QueryKombat prompt specifically asked writers if they prefer to write during the night or day. As I tweeted, I prefer to write in the early evening, in the hours leading up to supper. However, this is by no means a dominating preference as I can write at any time of day, as long as inspiration and time allow. All times of the day have their benefits–to me, the main point is just to get the words on the page. Don’t slot yourself into “only being able to write in the mornings” or, “I never write before 10 PM”–write whenever you can, when the mood strikes you, when you find yourself scrolling absentmindedly through Facebook! Habits are good to make, but as writers, we need to be flexible and not use our habits as excuses to procrastinate.

Finally, music. Another prompt featured on today’s #QueryKombat question. I have always been strange about music; I can’t stand it while I am writing, reading or doing some other deeply concentrated type of work. Don’t get me wrong, I love music! However, it distracts my brain heavily. Music does influence my work in other ways, though. Different songs remind me of my characters. The song “Superstar” by Broods reminds me of Mara and Runey’s relationship in Capacitance. I prefer music to inspire me in my non-writing times!

This post could go on for days–there are so many different stories and struggles to share about my writing process. Share your writing habits below! 🙂 And don’t forget to like my Facebook page–there’s now a “like” button on the sidebar of my homepage! I am at 84 likes thus far; when I reach 100 I will be sharing the first chapter of Capacitance! Like, like, like!

Writers’ League of Texas Agents & Editors Conference 2015

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I had so much fun attending the Henderson Writers’ Group Conference in Las Vegas, that I just registered for another conference next month! I will be attending the Writers’ League of Texas Agents & Editors Conference June 26-28 in Austin, Texas! Since I live in Kansas (and drive a fun little car) I am going to be road tripping down south–just me and the open road, mind clear, practicing my pitch. I can’t wait!

The pitch will be important as there are 19 literary agents from big name agencies such as Trident, Writers House, and Curtis Brown, to name a few! While pitch sessions with agents are paid add-ons to the conference fee and are limited to two agents (I won’t be table hopping my pitch to everyone like I did in Vegas, haha!), the number of agents at this conference makes it more likely that I will be able to approach them in a casual setting. This conference appears to include a lot of casual settings, like cocktail hours, that could be great opportunities to meet and network with the agents and editors. I am going for all three days of the conference rather than just one day like I did in Las Vegas, so I plan to take full advantage of the opportunities to meet new people.

Considering I already have one conference under my belt, here are some things I won’t be doing this time around.

1. Stressing about my outfit. The wardrobe choices I saw at the last conference were much more casual and varied than I expected. When it comes to conferences, stay true to your personal style and you’ll be fine–worry more about polishing your pitch.

2. Bringing my entire manuscript. This is absolutely unnecessary. I know I said otherwise last time, but my aching shoulder and the entire universe of common sense would argue otherwise–everything is done through email these days. What makes you think an agent is going to love your work so much that they would be just as eager and willing as you to lug around a 300 page boxed manuscript all day? Save your posture, leave it at home.

3. Attending only business related class sessions. In Las Vegas, I stuck to the business side of writing lectures. This led to immense boredom and repetition; I had read most of the advice on the Internet due to my extensive and slightly obsessive research on query writing, agents, etc. Of course, I still plan on attending some business aspect classes as I know I still have a lot to learn, but I want to experience some writing craft sessions as well this time around.

Leave me a comment below if you’re planning on attending the #WLT2015 ! Also, I don’t believe I have mentioned this on the blog just yet, but I will be posting the first chapter of Capacitance once my Facebook page hits 100 likes. If you want to speed this process up a bit 😉 please like my page at https://www.facebook.com/emhardenburger ! Can’t wait to start sharing my work with you all!

#QueryKombat

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I have posted before about writing as a “pantser,” and now I am entering my first writing contest as a pantser. I heard about #QueryKombat at the writers conference in Las Vegas, and it sounded intriguing and a great way to gain a social media presence and, potentially, agent representation. However, querying quagmire and vacation came up and occupied most of my time, and before I knew it, the contest date had arrived. Thus, my “pantser” attitude towards it all. I was not going to enter, because I have not spent countless hours preparing. This fact still gives me pause, but I think I need to throw my hat in the ring, just as a learning experience.

The #QueryKombat contest opens today (right now, actually), and contestants submit their query and the first 250 words of their MS. 64 contestants are chosen and their queries go head to head until only one winner is left. There is a judge round and then an agent round. It all sounds very interesting and certainly beneficial to make it to the agent round! If you want to learn more about the contest, you can visit this link: http://michelle4laughs.blogspot.com/2015/04/query-kombat-2015.html

After an intensive day of polishing my query and first 250 words, I am going to enter. I won’t deny the fact that I am a little nervous about it, but as I have said every time doubts pop up, I have to be persistent and start somewhere. Never try, never know has been a useful motto in many areas of my life, not the least in my career as a writer.

Is anyone else entering #QueryKombat? Wish me luck, and I will keep you posted!

Plotting as a Pantser

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First of all, I have to get it off my chest that I really hate the term “pantser.” However, it seems to be the term in the literary world to describe the kind of writer I am–one who sits down at the computer and miraculously spins out chapter after chapter, never looking at an outline. It is a rather horrifying concept, when one thinks about it too much. How I don’t get lost in it all is beyond me, at times. However, it is the way I innately write; it always has been, even when I wrote literary critical analysis in college. To someone like me, the structuring of an outline brings a stricture of panic into the chest and usually an onset of acute writer’s block.

However, sometimes plotting is necessary. I have found it just as challenging to adhere to my pantser instincts during my sequel novel, Inductance, as I find it to sit down and create an outline. It is quite necessary to have somewhat of a plan for Inductance as it is so action-packed. When writing something action-packed, the structure must be so tight and riveting, that an outline is very helpful. Writing down what is going to happen next and who will be involved in it helps tighten up loose ends and bring all the elements together.

I would not be true to my ill-named pantser status if I did not do at least some of my writing on a whim–it’s simply what I am most comfortable with, and some of my best prose just spills off my fingertips when I let them get carried away. Thus, I reached a compromise for hopefully the remainder of Inductance. I have outlined some key plot points that I know need to happen. While running on my treadmill yesterday, I brainstormed them, then I made myself sit and physically write them out (an anathema for pantsers). Now I think I have achieved a great balance–my mind still has some creative freedom as it is not too hemmed in by the outline, but the need for some structured framework has been settled. So now I can be a pantser operating within a plot–I think it will work out beautifully!

Rejection–A Necessary Evil

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Last week I started sending out query letters. Inevitably, I started receiving rejections. My biggest surprise upon receiving these rejection emails was that the agents had taken the time to actually hammer out a rejection;  usually it was only one line of text, but it was more than I expected after reading the horror stories on various blogs of sitting anxiously for months and months, never getting a response. Thus, a quick “Sorry, this isn’t for me.” was completely more shocking than the denial itself.

I was denied by three agents last week–plus, I had the bad luck of all three denying me on the same day! Rejection is always hard to take, but I was expecting it, so I didn’t take it as hard. I began my queries with some of the top agencies in the country, and it was asking a lot to ask my query to live up to their exacting standards. But it was worth a shot. It’s always worth a shot–you never know when that one special agent will read your words and fall in love with your novel. Many blogs and websites say that finding an agent is a lot like finding a romantic partner; you have to just get each other. I’m sure most people would agree that the search for love is not supposed to be easy, and you almost never get it right the first time. Just like we’ve all had a bad date, the querying process isn’t going to be love at first sight with every agent. But just because you’ve had a bad date, or the relationship you thought was sure to be “the one” didn’t work out doesn’t mean you stop dating. Thus, rejections shouldn’t mean it’s time to stop querying–yes they are frustrating, but who wants an agent who isn’t the right fit?

In the meantime, between these “bad dates,” I am making myself fall a bit less in love with Capacitance. If I sink my heart into it too much, rejection gets all the more difficult to handle. Now my challenge is to walk the thin line between confidence and blind adoration of my novel. It is not “my baby” anymore, it is a marketable product–while I can be confident in its qualities, I cannot be overly sensitive if it is not the right product for everyone.

Admittedly, I did take a few days off from querying. Maybe that is not weakness–maybe it’s for the best, since I have gotten rather off track in my work on Inductance. However, I will resume my efforts to find and agent and get published; I want my books to be read and I won’t stop until that effort is fulfilled.

Disconnected

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Through all my adventures lately–both in attending the conference and querying–working on my second novel Inductance, has taken a backseat. This has been frustrating both because it is leading to a few errors in the work as well as because I don’t like days where I don’t write; unless it is a specified day off, I feel anxious and less accomplished than I do on those days where I have written a chapter. Don’t get me wrong, I usually take the weekends off, unless I am sitting at home with no plans (there have to be some days to recharge the mind and give the story a break!). However, especially with the conference, I did not have time to write for four days, and before that, preparing for the conference was time consuming as well. I started Inductance a little less than a month ago, and now I have 27,000 words done, so I am not doing awful at the whole thing, but I am definitely not as prolific as I was in my heaviest work phases of writing Capacitance.

I want this to change. This disconnected process that I have going right now is causing just that–disconnect–in my story. Once again, I am forever thankful to my Dad, the in-progress reader and editor, as he has caught some of these disconnects as he reads the new chapters of Inductance. For the most part, they have been relatively small, easy to correct errors. For example, today at lunch he caught a snag where the characters had planned to change their meeting place to different room, but then later on when the meeting actually occurs, I forgot to change its location to match the new plans. A minor detail, but one that readers WILL notice. I am glad it was caught, and I am actually excited to go back and change it because by connecting the details and having the characters meet at the new room, I think I can insert some really cool scenes into the story.

All that being said, I have decided to go back and read my work so far on Inductance–when I write, sometimes it is such an organic process that I literally don’t remember what I wrote after it’s done. This isn’t such a problem when I am writing a chapter each day and the flow remains fresh in my mind. I think that by going back and reading my manuscript thus far, I can refresh myself with the story and that will make it easier to keep on track with things, as well as possibly spark some new plot lines (the necessity for an action packed book is still daunting me!). It will also give me a chance to get some early edits!

Today I prepared and sent out five query letters, and hope to get a couple more done before the day is through. I think once I have all those sent out, then focus on Inductance will come much more easily.

Query Week!

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Today marks the day I started sending out the first of the dreaded query letters to literary agencies! While rejection is to follow, I am sure, I am glad I have finally settled on a query letter format to go with for each individual email I send. I plan on querying 10 agencies this week, and perhaps 10 more next week. I have read conflicting views–some sites say to query around 10 at a time, while others say that 50 is better for the initial round. I am starting large and working my way down; for example, today I queried agents at Trident, Writer’s House, and Janklow & Nesbit. I also sent my synopsis and requested chapters to the agent from the LKG Agency who requested them at the conference.

The most time consuming part of querying–after you have your hook and mini-synopsis constructed–is researching the agents you’ve decided to query. It takes time to narrow down which agent in each agency will be right for you and find some little detail of evidence to support this which can be added to your query letter to give it a personal touch, but I am sure that showing you’ve done your homework makes your query stand out to the agent reading it.

Here is the query letter I finally settled on sending out (excluding the personalized opening paragraph); it is not perfect, but I think I could have done a million drafts and never felt fully confident!

Mara is a university student of genetic engineering who has just discovered a deadly DNA mutation in users of Meditrinum—a genetic enhancement drug used by the government, society’s elite, and Mara herself. Faced not only with her own impending death, but the potential destruction of society as a whole, Mara’s ultimate focus is to develop a cure for the mutation before time runs out.

 

However, things get more complicated when Mara meets Runey—a shrewdly personable design student with a hidden agenda. A member of an underground government resistance organization, Runey has been tasked with the mission to find out what Mara is working on through any means necessary—specifically, by making her fall in love with him.

Under increasingly threatening demands for results from the ruthless leader of his resistance group, Runey endeavors to reveal Mara’s secrets—while keeping a few of his own. Although Mara tries to remain focused on curing the impending mutation, she finds herself growing closer to Runey. Despite her internal struggle to keep her distance, Mara falls in love with Runey and tells him about the mutation—after this disclosure life is never the same for either one as both Mara and Runey realize the stakes are much higher than they ever expected and the distinction between right and wrong is not as clear as they once thought.

 CAPACITANCE is the first of a planned trilogy set in the dystopian future on a university—creating a setting which is a marriage of the unknown and the familiar. The manuscript is complete and full or partial submission is available upon request.

Thank you for your time and consideration, and I look forward to hearing from you soon.

Sincerely,

Elise M. Hardenburger

I googled “how to write a query letter” and found a lot of great examples; many of which were structured in short paragraphs such as above. I think this allows for points to be emphasized and clarified, allowing for a presentation with more impact. Hopefully, this is a correct assumption! Call me crazy, but I am looking forward to seeing how this all turns out–even a rejection imparts a lesson that I need to try a different tact. Stay tuned!

Conference Contemplations

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This past weekend was a big step in my career as a writer–I attended my first writers’ conference! It was the Henderson Writers’ Group conference in Las Vegas; the crowd was small (limited to 150 people), the classes offered were a mix of business and craft, and the faculty was interspersed with interesting individuals. It was a good first conference, in my now slightly more qualified opinion; since it was relatively small, it was not too overwhelming, yet it still offered the opportunity to make some influential connections with agents!

I will start with the pros of the conference. The first and foremost bonus is getting to pitch to agents. Yes, it’s scary, and intimidating–but do it! When I arrived at the conference I didn’t know that formal pitches were an option, but quickly found myself signed up to pitch to two agents and two small press editors. Did I panic slightly? Of course. But I simply reminded myself that I know my book and am confident in my book, and it went just fine. In fact, all of the agents and editors requested either partial or full manuscript after my pitch! I had a good experience, but that is not solely why I advise authors to take the plunge and pitch at conference–you should do it because chances are relatively limited for you to run into agents during breaks and such. Before I attended the conference, I had read the opposite advice which told me it’s better to try and casually run into agents and spark conversation. However, after having been to the conference, I have to say that is leaving a lot to chance. If there is a chance to get your name down for a (no matter how small) amount of time to talk to an agent or publisher about your book–do it!

The next pro for me was that I met a potentially great friend/colleague; we met at the breakfast section of the day, and ended up being in the same class sessions, so we got a lot of chances to get to know one another and talk about each others’ books. Now we plan to email regularly and exchange critiques and editing advice. This isn’t to say that I just met one person and stuck to only talking to them all day–I talked to a lot of different people, and that in itself was a pro. Meeting fellow writers is always interesting.

Now, the cons. First and foremost, I was already knowledgeable on most of the information presented in the classes. Most of this information is accessible on great websites such as AgentQuery and Writers Digest. Due to my extensive research on querying and agents after I finished my novel, I had stumbled across most of, if not all, the information presented in the class sessions (I stuck to mostly the business/querying type of presentations, so I can’t speak as much to the craft sessions). Thus, for me the conference was a learning event, but not in the sense of the structured classes.

The second con I will list is the inaccessibility of the agents that were present at the conference. The only time I saw an agent outside of the pitch session room was when they were teaching their classes. This made it difficult to interact with them (which was most likely by design, at least in the case of one particular agent!), so had I stuck to my original plan which was to organically strike up conversation, I would have been sorely disappointed. Like I said above, the pitch sessions saved my weekend from being disappointing!

Now that I have attended my first conference, I have been getting asked whether or not I will attend another one. The answer is “probably.” I think I will be more selective in the conferences that I attend; I want them to be a bit more high profile. Now that I know more about agencies and agents I may want to target, I can look out for conferences they may be attending. I will be looking to see what kind of pitch opportunities will be available. There are a couple high profile events that I will consider–namely, the New York Pitch Conference and the San Francisco Writers Conference. However, right now, I am switching gears and will be exclusively focusing on my first round of querying agents; I sent out my first materials requested email today to an agent who requested a synopsis and partial, so I am very excited about that (excited, but also fully prepared to wait for a response or simply never get one). Aside from querying, I will, of course be diving back into my work on Inductance; I think getting back in the flow of writing might be a little tricky after my mini-vacation, but I am excited to ebb back into the story!